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A

"WE THE PEOPLE"
interview with

Paolo Soleri
and
Jerry Brown

The following transcript is of a two day interview of Paolo Soleri broadcast on Jerry Brown's nationally syndicated talkshow, "We the People." The program aired on 12/9/95 and 12/11/95. An open and closed parenthesis,(), indicates a loss of information in the process of transcribing the interview.

DAY 1 : Part | 1 | 2 | 3 | 4 |
DAY 2 : Part | 1 | 2 | 3 | 4 |

DAY 2 : PART 4

JB:You're back with "We the People" and we're speaking with Paolo Soleri. If you would like to join the "We the People" organization, here's the number of call 800-426- 1112. I'll send you some information and you can decide for yourself. Paolo, I would like to take a few calls from some of our listeners. Let's here from David. Your on with Paolo Soleri.

David: Hi, and thank you for a very stimulating couple of shows. I visited Arcosanti about, I guess, 15 years ago or so, and was really fascinated by it and really liked the concept of the laboratories and so forth. I guess the main concern that comes across to me is, I realize, I'm probably like one of the typical people you think need to change. I like my CD player.

PS: That's right.

David: I like my computer, I like my selection of two or three dozen different running shoes I can get.

PS: That's right.

David: I like it, and I'm not really thinking about it too much, and I'm learning here that it's in my higher self-interest to maybe to think maybe there is something more important. And there is a cost attached to that that I hadn't been previously aware of, namely, the security of my future and that of my children.

PS: Right.

David: So, I see the utmost necessity to make these kinds of changes that you are discussing, but where my question and concern comes in what is the role of democracy in this and how, I mean, if we need to make these changes, you know, you said something earlier that, in fact I called at the very beginning of the show and was told I had to wait a half hour before, this was the very first quote you said, you quoted somebody's talk about consumerism.

JB: That was me, I quoted Michael Gardner.

PS: And I liked that.

JB: "Consumerism is a virulent form of materialism where advertising insures the demand is created for products for which there is no need."

David: Okay, let's talk democracy here for a minute. That's your view, and that's Michael Gardner's view, and may be it's a more highly evolved view, but what gives us the right and what is the role of democracy in saying to probably the zillions of people out there that will say, hey, get off my back, you know, I like retail. You know, I like strolling through the shopping malls.

JB: Okay, David, let's...thank you very much for that call. Paolo, do you have a comment on that?

PS: Yes, of all the species that inhabit this globe there is only one that says, I do what I like, and it is our species, and naturally, that's an indication of the how far we've gone in evolution, but this notion that I'm conceived, I was born, and I've been educated and I will do what I like it's pretty, pretty difficult notion really to digest, because as I was saying, there is nothing in nature that ever said anything like that. We should have a Bill of Rights, naturally, but they should be matched item by item by a Bill of Duty, or Bill of Responsibilities. If we did that, then we would find out that some of the things that we say, I do them because I like to them, are out of context, and I think the democracy cannot survive with only a Bill of Rights without a Bill of Duties, frankly.

JB: Gregory Bateson liked to quote Saint Paul to the Galacions where he said, "God is not mocked," and he related that to the ecology. The ecology is not mocked, so there are duties, there are rules here, and this notion, we can do whatever we want misses that point. There was another statement that Gregory Bateson said, I want to share with you, he said, "What is going to be required in the future is more elegancy and less tolerance." How does that strike you?

PS: Probably in terms of...

JB: Sloppiness, muddy thinking, wait.

PS: Okay, because tolerance is something that we need desperately.

JB: We need tolerance at one level, but we need intolerance at another level.

PS: Yeah, but the same thing what xenophobia does to us, it makes us intolerant, because at the end of any discussion on any discussion we say, yes, but...American first, and that's xenophobia. I mean, we might not want to see it that way, but that's what it is, because we cannot any longer say, well, since I'm an American I'm worth ten Chinese, or two Chinese, or fifty Africans. We can no longer do that it's really a leftover, part of the brain that is no longer on top of things.

JB: Yes.

PS: That might cost us quite a bit, because we have pride, we have our history, we love our country, and so on, but my God, we have to go beyond those things at this point.

JB: Well, there is also a manipulation. When caller, David, was talking about I want this, I want that, the people do. The people, themselves, are being manipulated at a very early age through education, through the media, through advertising, through the structure through the way things are organized to get these needs impeded into the mental structure so this is not an accident, it's not like there's one person, one vote in a primordial way here, we are living with hundreds of billions of advertising which is allowed to go along because we let it, but ourselves are manipulated by it, so we are going to have to get on top of it and give people a chance to see undermuddied by nationalism, parochialism, or consumerism.

PS: And by the way, speaking of democracy, we have the greatest disparity now between the have and the have nots in this country, so, in a way, we have the worst example of what a democratic aware society seems should be because if democracy is based on injustice, then I'm afraid it's falling short of what the promises were.

JB: If you go back and look at the Founders, beside the fact they were certainly congenial to the slaughter of the native peoples and could accept the fact, or if they were from the South actually advocated the enslavement of African people, there was a very, a very telling point that John Adams made in a letter to Abigail Adams, he said, "That in this generation we have to teach our children the arts of war so that their children can master the arts of commerce, so their children can master the arts porcelain, and music, and tapestry." The idea being that by the third generation, we will have evolved beyond war and commerce to art, but, boy, I think it must be four or five generations after that and we are still seem pretty mired in the first generation.

PS: () of greed are surfacing constantly in these discussions. If we are less opportunistic in terms of the ego, but opportunistic in terms of the species, in the terms of the planet, which means the right opportunist, and if you could somehow thrust into this greed that we are all prisoners of, things would begin to be more democratic I think.

JB: So I see we have to have a laboratory that builds a habitat that facilities the virtues that you're describing and de-emphasizes and marginalizes the vices that are pandemic.

PS: But naturally that would be because of that kind () number one would be more frugal in the sense demanding less from the environment, demanding less from society, and so on, because again, the suburban sprawl is the most consumer-oriented, the most wasteful-oriented, the most pollutant-oriented, and the most segregated of all the things we can come up with. The scenario pretty deep in terms of having 250 million Americans saying, I want to be a suburbanite.

JB: Well, Paolo, we have a suburbanite on the line right now. Naomi, let's hear what you have to say about this. Naomi, welcome. Naomi, she's not there. Well, John, then.

John:Yes, there's a man who immigrated to Canada, Giovanie Caparici, and he bought, I think, 667 acres, a former city near Endlopes, and he plans, he's on it for three years, he's trying to get it to become patterned after the Renaissance city, I believe, in Italy called Padova, and he's named that and he's hoping...

PS: Oh, really.

John:and he's hoping to have arts, and crafts, and film and all sorts of things based there, and as a Renaissance city.

JB: Paolo, have you heard of that?

PS: No, and my first reaction which should not be a reaction because I'm too ignorant to know, but my first reaction is that there might be some kind of utopian notion there, because to separate the artist, so-called, from the rest of humanity is a big mistake. The artist is part of humanity so should be immersed in the routine life of any community. So that is why I refuse to call Arcosanti a Center of the Arts. I mean, that's not the intent at all.

JB: So the arts is fabricate...is buildings/

PS: It's also...

JB: That's what art means.

PS: ...living is the biggest art, and actual living means that all part of the population, all levels of wealth, all level of culture and learning should be intermixed, because that's what the urban effect is suppose to be.

JB: You say the art of living, how about the art of dying?

PS: Well, that's a very, very difficult thing to...

JB: Do you think there can be an art of living if we don't have an art of dying?

PS: Well, since I see it not as a pleasant or nice thing, but something very harsh, dying is part of the harshness of living, and that's why my moral thing says that () going on to the end. At the end there might be a revelation of reality which is "we are all there resurrected," in a very special manner out of space time.

JB: What I was thinking of when you say an artist can't be removed, but has to be engaged, and that's an art of living, and since we're all going to be dying, that also has to be part of the engagement.

PS: Yes, but the anguish, the basic anguish that we all have is that this notion, number one of being limited in our experience, in our experiment. Number two, not knowing that we are means to something very, very important that we might eventually enjoy, so to be able to re-build within ourself hope and faith, and optimism, that's part of the process of getting anguish directed toward creativity.

JB: Paolo Soleri, thank you very much. I want to end it on that high note.


DAY 1 : Part | 1 | 2 | 3 | 4 |
DAY 2 : Part | 1 | 2 | 3 | 4 |


 

 

 
 
 
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